The Portrait Conversation 7
Kim Nalley, Jazz & Blues Vocalist
Stirring the Soul with Song

Please join us next Saturday morning, August 8th, at 10:00 AM Pacific, on Zoom for Part 2 of The Portrait Conversation, a portrait in words and paint, with special guest, jazz and blues vocalist extraordinaire, Kim Nalley. Stirring the soul with song is exactly what jazz and blues vocalist, Kim Nalley, does with panache, power and passion. We’ll be talking about her music, life and path while I sketch her portrait on my iPad, all via Zoom! I have a feeling she may break out into song during the conversation:-) You’re invited to be part of this special experience.

Photo at top of this page: Diana August

Part 1 (August 1, 2020): Kim shares how she engages with the band members in an improvised and musical conversation which goes back and forth, giving each space to shine. She talks about the importance of story, art and history in her music. She shares influential experiences and inspirations growing up in a musical family. At one point Kim refers to an online shelter-in-place project page she produced for teachers on Nina Simone’s song Mississippi Goddam’ and was asked for the link. Click here for the page. Please note that the first 7 minutes of this recording is the full clip of Kim singing “When the Saints Go Marching In” filmed by Brian McNitt at the 2013 Fillmore Jazz Festival. During the actual session I played this before the start time for those who arrived early but have included it in full here since I think it’s important to see and hear Kim in action to appreciate what makes her so special.

Generations – Kim and her grandmother, Gammy, singing When the Saints Go Marching In together at Le Colonial, San Francisco, 2009 (Corel Painter, Wacom tablet)


Kim Nalley with Houston Pearson, Monterey Jazz Festival
Photo: Wayne Saroyan


A born singer from a family that boasts several generations of jazz musicians, Nalley was taught piano by her great-grandmother and studied classical music and theatre in high school before relocating to San Francisco in the footsteps of the Grateful Dead. Working her way through college by singing in small dives and jam sessions, Nalley learned all of the intricacies of jazz the old fashioned way. Music critic Phil Elwood and San Francisco Symphony conductor Michael Tilson Thomas quickly discovered Kim Nalley and brought her to national attention after they noticed her singing nightly at the Alta Plaza to packed audiences – without amplification. Tilson Thomas hired Kim Nalley to sing a program of Gershwin with the San Francisco Symphony and recorded her farewell concert at the Alta Plaza.

Since then, Kim Nalley has performed globally, including major jazz festivals such as Monterey, Umbria Jazz and Lincoln Center and lived in Europe for several years before returning to San Francisco to re-open the jazz club Jazz at Pearl’s. During her tenure from 2003 to 2008, Nalley raised the club to iconic international acclaim as the owner and artistic director.

She was awarded “Most Influential African American in the Bay Area” in 2005 and “Best Jazz Group” in 2013, and was shortlisted by Downbeat Critics Poll in 2017 as a “Rising Star” (Deserving Wider Recognition). She has collaborated with artists such as Rhoda Scott, David “Fathead” Newman, Houston Person, James Williams, Michael Tilson Thomas and the San Francisco Symphony. She has recorded several on both major and indie labels, including She Put A Spell On Me, which was short-listed for a 2006 Grammy Award, and Million Dollar Secret, which charted in the Jazz Top 40.

Nalley often combines music and history to create historiographical concerts , including her award-winning “Ladies Sing the Blues*,” “She Put a Spell on Me: Tribute to Nina Simone,” “Freedom’s Song: Music of the Civil Rights Movement,” musical director and curator for the Martin Luther King Institute’s Commemoration of the 50th anniversary of the March on Washington and “The Heart of Lady Day,” a Billie Holiday biopic. As a playwright she has written “Ella: the American Dream” a bio-musical about Ella Fitzgerald which premiered in 2008. As an actress, she portrayed Billie Holiday in the dramatic play “Lady Day in Love,” Blues Speak woman in Zora Neale Hurston’s “Spunk” and has starred in Teatro Zinzanni as Madame Zinzanni, a role subsequently filled by Joan Baez and Sandra Reeves-Phillips.

San Francisco-based Kim Nalley is on faculty at the California Jazz Conservatory. She is a Ph.D candidate in UC Berkeley’s history department with plans to write her dissertation on the Globalization of Jazz and Black Cultural Politics. Nalley’s many philanthropic endeavors include founding the Kim Nalley Black Youth Jazz Scholarship.

This photo shows Kim singing Nina Simone in front of my painting, Mississippi Goddam’, a portrait of Nina Simone, at Kim’s former club in North Beach, Jazz at Pearl’s, in 2008.

Mississippi Goddam’: Portrait of Nina Simone, 2005, 38″ x 57″, mixed media on canvas


This portrait is inspired by Simone’s powerful song of the same name, Mississippi Goddam’. It has been displayed on stage a number of times when Kim has sung the Nina Simone songbook. The most recent occasion was on March 3rd, 2017, at the Freight & Salvage in Berkeley, California. These photos are from that show.









A little dancing with Kim during one number!

The song Mississippi Goddam was written by Simone in response to the violence against blacks in the civil rights era, including the 16th Street Baptist Church bombing (the four girls killed are shown on the left of the painting) and the killing of civil rights worker Medgar Evers (shown in the top right of the painting), both crimes referred to in the song.

More recently I attended a very special live session with Kim on vocals and Tammy Hall on piano at the KPFA studios (“BAJABA ShowCase” where BAJABA is an acronym for “Bay Area Jazz And Blues Artist”) when Kim received the BAJABA Maisha Ya Kaza Bora Award (“Maisha Ya Kaza Bora” is Swahili which means “Good Work for Life” or the equivalent of “Lifetime Achievement”). Congratulations, Kim!! Here (below) is a video of her warming up before the performance with a beautiful rendition of the classic “Shiny Stockings”.



Please click on these wingtips to tip! Thank you for supporting the creation and sharing of art, entertainment and inspiration on this site. Besides donation, another way to support is by joining which gives you access to hundreds of tutorial videos, custom digital art extras and participation in member-only online courses. The shoes shown in this photo were amongst my first dance shoes when I started Lindy Hop swing dancing and were signed by two of my dance inspirational heroes: Frankie Manning and Norma Miller.

Jeremy Sutton

Originally from London, I studied drawing, sculpture and print-making at the Ruskin School of Fine Art and Drawing, Oxford University (while earning a degree in Physics), and subsequently studied at the Vrije Academie in The Hague, The Netherlands. I\'ve been using digital paint since 1991, including every version of Painter. I love teaching and have taught workshops and given presentations all over the world for the last twenty years. I create commissioned fine art paintings and perform live action painting and digital portraiture. I founded PaintboxTV in February 2009. Thank you for being part of this creative community!

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